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The Beef Administration’s Blind Spot

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If there’s one message that Robert F. Kennedy Jr.’s campaign to redefine healthy eating has imparted, it’s that Americans need to eat their beef. In January, the health secretary rolled out the new food pyramid—with a marbled rib eye in the pole position. Weeks later, Kennedy modeled good beef-eating behavior, posing for a pic on his 72nd birthday while tucking in to a bone-in steak decked out with candles. In February, he dropped by the trade show CattleCon and begged the assembled ranchers to increase the size of their herds. “I eat beef every day, twice a day,” Kennedy boasted to the hooting crowd.

The secretary’s beef-intensive diet, which is shared by other members of the Cabinet, including Vice President Vance, is informed by the idea that people should be eating as our prehistoric ancestors did. When the Department of Health and Human Services put out its update to the food pyramid, it also published a 90-page document laying out the “scientific foundation” for the new advice. The report cited several papers on the benefits of the Paleo diet. One specifically endorses eating wild game, and argues that every person should strive to change their diet to “become a 21st-century hunter-gatherer.”

This mode of thinking can be traced back to at least the 19th century, but its current incarnation—the version that has wormed its way inside the U.S. government—dates to the 1970s, when the growing plague of heart disease and obesity was starting to receive sustained attention on Capitol Hill. That’s also when a Seattle gastroenterologist named Walter Voegtlin published a pale volume with a drawing of a loincloth-wearing hominid on the cover. His book was called The Stone Age Diet, and on the title page was a modest proclamation: “It’s Safe, It’s Sane, It’s Simple, and It Really Works!”

Voegtlin’s approach to nutrition may not have been any of those things, but it set the model for the glut of Paleo-diet books that were to come. The book laid out its author’s odd ideas and strong opinions, such as his profound loathing of “baleful salads” and especially the garlicky Caesar, which he regarded as a “gastric atrocity.” Beef, on the other hand, is an excellent source of protein, Voegtlin said. He noted that the man who eats a roast-beef sandwich gets all the amino acids he needs while the peanut-butter-sandwich eater does not. But Voegtlin wasn’t wedded to any single flavor of carnivory. In fact, he had some beef misgivings. Eating cows might not be sustainable, he argued, in a world teeming with billions of slavering Homo sapiens.

Perhaps another beast could be used for making hamburgers instead. Voegtlin had a notion: Instead of land cows, we should eat sea cows, or manatees. And he was not the first American scientist—and far from the most famous one—to hit on this very notion. In fact, schemes to radically expand the nation’s deli counter have been a strange motif in U.S. history.

Voegtlin’s book laid out the premise for the modern Paleo diet. According to its basic theory,  Homo sapiens as a species moved so rapidly from hunting and gathering to buying food at supermarkets that our genes never caught up. We’re Stone Agers on the inside, built to eat whatever could be plucked from the bushes or clubbed to death on the savanna, but now we’re marooned in a sickening landscape of nachos and pizza. The goal, for Voegtlin and the people he inspired, was to get back to eating whatever it was that our primitive ancestors ate. The challenge was to figure out what exactly appeared on the caveman food pyramid.

Given the patchy nature of Paleolithic evidence, this matter has provoked many disagreements, which began long before the publication of The Stone Age Diet. In his 1913 book, My Life With the Eskimo, Vilhjalmur Stefansson, an Arctic explorer and anthropologist, described how he believed an Inuit community he’d met in Canada’s far North provided a window into the lifestyles and dietary habits of our Stone Age ancestors. Stefansson’s polar adventures made him famous, especially for the all-meat diet he ate while camping in an igloo: seal flipper and whale tongue; raw and boiled caribou; grizzly-bear jerky and polar-bear steaks; blood soup and tallow-dipped ptarmigan feathers; and, on one desperate occasion, his own bootlaces.

[From the November 1945 issue: Vilhjalmur Stefansson reports on the dental benefits of an all-meat diet]

Tales of Stefansson’s gastronomical feats circulated at a moment when Americans were also exploring new kinds of food. The First World War brought meat shortages and a national austerity campaign, launched in 1917, that encouraged “Meatless Tuesdays” and “Porkless Thursdays.” For years, naturalists with the American Museum of Natural History, which funded some of Stefansson’s expeditions, had been arguing that Americans should really eat more whale. During the war, the U.S. government got on board, promoting the consumption of fresh and canned leviathan and explaining that because these sea monsters were mammals, their flesh tasted like beef or venison, not fish. The feds published a bulletin with 32 cetacean recipes, including “Stuffed Roast Whale,” “Whale Croquettes,” and “Corned Porpoise.” And the museum hosted a widely publicized “whale steak luncheon,” which more than one newspaperman described as sweet revenge for poor Jonah.

[Read: I ate whale meat]

Meanwhile, Alexander Graham Bell, the renowned inventor and a co-founder of the American Telephone and Telegraph Company, was out with a related plan for solving America’s meat crisis. In a statement published in the Journal of Heredity, Bell suggested that the government should look into the possibility of domesticating manatees. Although Florida lawmakers had recently criminalized the killing of these charismatic animals, which one 1891 children’s-book author had called “as amiable, mild, gentle, playful, kindly a creature as ever drew breath,” Bell noted that the sea cow offered “many points of superiority” over even such a promising candidate for husbandry as the pygmy hippopotamus, which the journal had previously considered. “Dr. Bell wants to see the south dotted with manatee ranches,” The Augusta Herald reported in an article about the idea that included recipes for broiled, stewed, and curried manatee, and explained that the sea cow’s tail was usually pickled and served cold.

This was not a bonkers notion. Manatees had been a coveted food source for the Seminole peoples and for southern Americans extending into even the 20th century. “The fattest, juiciest Tennessee beef is by no means equal to it and I doubt if there is anything in the animal kingdom that is so utterly delicious,” one manatee enthusiast wrote in 1885. Bell’s scheme, presented in a journal devoted to eugenics and geared toward optimizing dietary protein, would later resurface at another moment of food anxiety, when Walter Voegtlin was inventing the Paleo diet in the 1970s.

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The Knoxville Sentinel, November 27, 1917
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The Augusta Herald, September 21, 1917

After training as a doctor and specializing in gastroenterology, Voegtlin had devoted most of his career to trying to find a cure for alcoholism. But on the side he was a nutritional contrarian, arguing in talks that human digestion is better suited to a diet rich in fat and protein than one based on carbohydrates. To prove this point, he cited Stefansson’s tales of Stone Age eating and his own early lab research on dogs.

Voegtlin’s anti-starch opinions spread, at first, on the basis of these lectures. By the 1950s, they were being touted in Prevention, a magazine known for its back-to-nature ethos and openness to vaccine-skeptical views. The Stone Age Diet, his first and only published work on caveman nutrition, did not come out until 1975, just months before his death. Voegtlin saw Mother Nature’s food chain in simple terms: Herbivores eat plants, and carnivores eat herbivores. Humans are in the latter group, with digestive tracts that are “practically identical” to those of dogs, he said. (Voegtlin conceded that omnivores exist, but he argued they are merely “transitional forms.”) But if man is a “pure carnivore,” as Voegtlin claimed, he is flexible as to what kinds of meat ought to go in the tank. Bugs, snails, worms, snakes, leeches, monkeys, lizards, the stomach contents of sharks: All are regarded as delicacies by some human societies, according to the book.

Indeed, for Voegtlin, the future of the species might depend on man’s willingness to broaden his horizons with respect to meat. Writing at a time when concerns about the impending human “population bomb” were widespread, Voegtlin thought the world was not harvesting enough protein to fend off malnutrition. He argued that people might need to start eating up the world’s predators, because they competed with humans for flesh. “There are four thousand tigers left in India and each tiger eats six thousand pounds of meat each year,” Voegtlin noted with alarm. Alligators, crocodiles, lions, tigers, and bears might have to become supper. Ocean predators such as the seal, whale, dolphin, and walrus would be hunted down and made into supermarket steaks. And in the brutal, man-eat-dog world of the book’s imagination, human populations, too, would need to be controlled: Voegtlin proposed that reproduction should be limited to “superior types of individuals” under the watch of an “omnipotent Bureau of World Census.”

As for nature’s mermaid—the gentle, seagrass-chewing sea cow—she might carry on her lineage in water farms, domesticated as a novel form of floating livestock. “This marine mammal, as does its dry land counterpart, eats only vegetation, totally unfit for human consumption,” Voegtlin noted. Sea cows are superior to land cows, Voegtlin suggested, because land cows eat grains, which humans could survive on in a pinch. Since manatees live on baleful sea-salads and don’t deplete the world’s meat supply, they could live alongside humans in peace—until such time as they were ground into meatballs.

Voegtlin’s book did not initially garner much attention. One of its few reviews, in the journal Medical History, described it as full of “opinions that oppose accepted belief and substantiated fact.” Academics who promoted Paleolithic nutrition in the 1980s called for plenty of plant foods in the diet and ignored Voegtlin, perhaps on account of his endorsement of eugenics. But by the time the Paleo world was coalescing online in the ’90s, Voegtlin’s book was cited as a pioneering work. Its message would be channeled through the 2010s as the Paleo lifestyle became associated with zealous meat-eating and an emerging band of popularmeatfluencers.”

But as it turned out, the archaeology would prove Voegtlin wrong: It wasn’t true that Stone Age humans never touched a processed grain. Starch residue found on 30,000-year-old grinding stones indicates that Paleolithic peoples may have eaten bread. Ancient bits of DNA suggest that genes for starch-digesting enzymes might have been proliferating as early as 800,000 years ago, when cave-chefs started roasting primordial potatoes. Marlene Zuk, an evolutionary biologist and the author of a 2013 book that debunked some of Voegtlin’s arguments, recalled how the Paleo community dealt with this evidence that challenged their largely carb-avoidant worldview. “They liked the word tuber,” Zuk told me. “The word tuber was very popular because it sounded more caveman-y.”

[Read: How close are manatees to extinction?]

Even for its time, The Stone Age Diet missed the mark with its sharp dichotomy between herbivores and carnivores (and its bizarre denial of omnivores). These distinctions can be fuzzy: Crocodilians, for example, may eat kumquats and pond apples in the wild, while cows and sheep will snack on baby birds. Even the kindly Florida manatee, connoisseur of bayou seagrass, sometimes flies into a carnivorous rage, snapping up fish and gnashing them in its terrible teeth.

Yet no branch of science has debunked the idea that humans are neglecting lots of opportunities for ingesting animals. Indeed, the notion that we should be eating strange meats has been backed by a range of influential authorities. Voegtlin got his vision of sea-cow cuisine not directly from Bell but from Scientific American, which had proposed that we domesticate not just the manatee but also the “palatable” capybara, and from The Journal of the American Medical Association, which lent its weight to the idea of building enormous blue-whale farms in the Pacific Ocean, fenced in by coral reefs. More recently, advocates of livestock alternatives have zeroed in on smaller animals: In 2013, the United Nations released a report on global food security that argued for the mass cultivation of edible insects. The report noted that various groups have made a habit of consuming beetles, caterpillars, wasps, mealworms, and dragonflies.

I’m not here to suggest that the logic of evidence-based nutrition demands that we consume more manatee meatloaf or chili con capybara or dragonfly dumplings. But there’s something ho-hum about the fact that a norm-breaking MAHA administration, led by a carnivorous health secretary who has boasted that he’s a “very adventurous eater” and will “eat virtually anything,” has stuck so monotonously to beef. It’s not as if beef has been shown to be healthier than any other meat. Examined through a political lens, though, Kennedy’s bovine-forward dietary approach makes perfect sense, Amy Bentley, a food historian, told me. The burger is the quintessential American meal, and beef-related imagery calls to mind the virile cowboys who drove cattle and made America great by filling its larders with sirloin. There’s a resonance between this sentimentality for the Old West and the Paleo-nostalgia that animates the carnivore community, she said, in that both are romantic fantasies about a time when men were unapologetic warriors. “When gender roles are being questioned, there’s often renewed interest in the vitality-giving properties of animal flesh,” Adrienne Bitar, a food scholar who has written about Voegtlin, told me.

Proposals to put manatees or mealworms on the food pyramid would face challenges. On the left, a plan to farm sea cows would enrage conservationists, even though Trichechus manatus has in recent years been downgraded from “endangered” to “threatened.” On the right, the UN’s edible-insect report sparked an “I will not eat the bugs” campaign from skeptics of climate-driven policies. Perhaps that’s why, for all of the MAHA bluster about remaking the American diet, the architects of our new dietary guidelines have turned out to be picky eaters when it comes to meat. We’re all a bit afraid to try new things. That tendency, which may have been with us since the Stone Age, today serves the interests of our cumbersome friends in the Florida Everglades. For now, at least, pickled manatee tail is off the table.

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deebee
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The Beef Administration
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The Strange American State Fair

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Photographs by Lawren Simmons

The U.S. capital has been outfitted of late with visual trappings that many associate with authoritarianism, such as banners depicting Donald Trump’s face and featuring his slogans. So perhaps it was only a matter of time before the president erected his own Potemkin village: the Great American State Fair, where almost nothing is what it pretends to be. 

Stretching across a large swath of the National Mall, the fair has dozens of pavilions for 56 states and territories and numerous executive-branch departments, in addition to a Ferris wheel, a rodeo, and other displays from companies and organizations, many of them Trump-aligned. It’s advertised by Freedom 250, the White House–created group behind many semiquincentennial events, as a “world-class exposition and modern-day World’s Fair.”

a cardboard cut out of a british explorer
Lawren Simmons for The Atlantic
The Department of Defense pavilion
a girl touches a buffalo display
Lawren Simmons for The Atlantic
The North Dakota pavilion            

For a president enamored with the gilded and the grand, the exterior of this fair is surprisingly austere. Trompe l’oeil sheets cover slapdash structures lining both sides of the Mall with an illustration of architecture that is supposed to be beaux arts but is so stripped down that it makes the nearby brutalist buildings look practically baroque. A boxy model of Trump’s proposed triumphal arch in the center of the Mall appears as if it could have been designed in Minecraft and ordered from CVS for same-day pickup. 

people dress up as historical re-enactors
Lawren Simmons for The Atlantic
The Hillsdale College pavilion

Perhaps because of this aesthetic of illusions, the earnest state pride evident in some of the pavilions turns out to feel especially delightful. Consider: the Science Museum Oklahoma’s president going on about how hers is “the most surprising state you’ll ever experience,” or the Ohioan dispensing with midwestern cheer state-shaped tattoos and tokens for free Frosties through the end of the year. Here and there, the big, proud personalities of the states shine through (see: Idaho’s potato-sack dress). Together, they nearly instill an appreciation for this eclectic batch of states that have united into a country. But like any sense of patriotism these days, it’s complicated just as quickly. Right as I was about to crack open a bag of potato chips from Michigan, with “Take Me Home, Country Roads” stuck in my head from a karaoke video game in the West Virginia booth, I wandered into the State Department pavilion, where I was offered a paper replica of the limited-edition Trump passport. 

In a certain sense, the Great American State Fair bottles the central tension of federalism: a push and pull between irrepressible state personalities and the federal government. But it’s also not that academic. Put simply, the president is bringing down the mood.

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Lawren Simmons for The Atlantic
The Department of Defense pavilion

Propaganda has a way of being blissfully unconcerned with material reality, and the state fair is no exception. When I arrived Thursday morning, workers were still assembling fencing, and I spotted bits of metal on the floor in Kentucky. North Carolina had no power. At one point in the afternoon, the “Faith & Family” pavilion—where the booths included the Museum of the Bible, Hillsdale College, and an evangelical-Christian stall labeled The Great Awakening—was entirely in the dark. 

Danny Villanueva, who had worked for a subcontractor on the site, told me while we were waiting in line that he enjoyed what he saw as being a part of history but that the exterior carpentry wasn’t very good. “I see the vision of how this should have been,” he said. 

Several states, including almost all of New England, did not officially show up, citing high costs and, in at least one case, the politicization of the affair, which opened Wednesday night with a Trump rally. Most absentee states received the same treatment: two chairs in front of a photo board showing state highlights, which gave dentist-waiting-room energy. Around midday, a group of disappointed Alaskans emerged from their state’s pavilion with exasperation. A teen named Emily told me that she would have liked to have seen “probably some representation of the nature, because we’re famous for it, and also maybe just, like, something in there, literally anything.” 

people look at a display of planes in a sunset
Lawren Simmons for The Atlantic
The Northrup Gruman display
a person does a virtual reality hunting
Lawren Simmons for The Atlantic
The South Dakota booth
an old american flag
Lawren Simmons for The Atlantic
The Museum of the Bible booth

Some states that declined the invite had other organizations step in on their behalf. The potential perils of this were apparent in Delaware, where a Caesar Rodney impersonator was manning the booth (the Caesar Rodney Institute was the sponsor). A Founding Father who enslaved hundreds, Rodney has become something of a cause célèbre: His statue was pulled down in 2020 in Delaware, only for it to be remounted this year by the Trump administration in Washington, D.C.’s Freedom Plaza. The impersonator told me that he had come here because his state, in not participating, had politicized the event.

Maybe it was the dizzying experience of meeting the Rodney impersonator, seeing an Abraham Lincoln hologram (in the Illinois booth, run by a local museum), and encountering an AI-generated image of George Washington riding a roller coaster at a beach (in the New Jersey booth, run by Cape May County). Or maybe it was the dehydration (water is $5). But moving among tents in the scorching heat, you can sense your grip on reality starting to slip.  

cardboard cutouts of musicians
Lawren Simmons for The Atlantic
The Mississippi display
2026_06_26_gasf.jpg
Lawren Simmons for The Atlantic
The Texas booth                   

The farm animals in the rodeo area? Those are real. The life-size cows in multiple state pavilions? Not so much, although you can “milk” at least two of them. In Montana, you can stand beneath an oversize faux-dinosaur rib cage and dig up fake fossils, and then, nearby, you can look at an actual Mesozoic fossil in North Dakota. The Department of Agriculture tent is giving out edible oranges—but Florida isn’t. No, those ones on its fake tree must be plastic. Ohio brought a real-life governor: Mike DeWine was there in the flesh. Alabama, meanwhile, had a printed cutout of its own chief executive, but if you spent enough time at the fair, you’d be forgiven for saying hello.

a boy looks at a dinosaur display
Lawren Simmons for The Atlantic
The Montana display.

Trump’s renovation projects have chewed up Washington in recent weeks, but they’ve had the air of a publicity apparatus puttering out. It’s hard to spin a green Reflecting Pool. The fair, with its Trump trinkets and replica arch, is also what you see: a dollar-store version of the grandiosity that Trump hopes will be his legacy. 

 At its best moments, when the states have space to do their thing, the Great American State Fair feels a little like looking at a brochure inside a strip-mall travel agency: Suddenly, you want to get away to Arizona very badly. But you can’t tell whether it’s because the highly saturated photos are really that persuasive—or whether you’d just rather be anywhere else.  

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deebee
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The sickest burn in architecture
“Trompe l’oeil sheets cover slapdash structures lining both sides of the Mall with an illustration of architecture that is supposed to be beaux arts but is so stripped down that it makes the nearby brutalist buildings look practically baroque”
America City, America
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Grappling With the Existential AI Threat

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Charity Majors, writing about how high-performing engineering teams are dealing with the transition from pre-AI to AI-native development: AI enthusiasts are in a race against time, AI skeptics are in a race against entropy.

This is not a situation where one side is right and the other is huffing paint. (O, that it were!) Each side is grappling with a real, alarming, escalating threat to the company’s existence, and the closer they look the more (again: real, alarming) evidence they find.

The enthusiasts are not wrong. We are starting to see real, non-imaginary, discontinuous leaps in capabilities from teams that lean in hard to working with AI. And this does not feel like a normal technology cycle where you can wait for the dust to settle; teams that sit this out while competitors are hustling could be out of business before the dust settles. That’s a real, existential threat.

The skeptics are also not wrong. When you ship code faster than engineers can read it, in domains where nobody has full context, you are making withdrawals from a trust account that took years to build. Reliability degrades, institutional knowledge evaporates. You end up with systems nobody understands, products burbling into incoherence, and on-call rotations that grind people up and spit them out. That is ALSO a real existential threat.

She goes on to say that “the wins and costs are happening to two different groups of people. There is no natural feedback loop.” Interesting read.

Tags: artificial intelligence · Charity Majors · programming

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deebee
17 days ago
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America City, America
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The Dubious Theory That Working-Class Voters Want Candidates Who "Look Like Them"

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Like many other center-left parties across the Western world, the Democratic Party has experienced a significant decline in support among working-class voters over the past two decades or so—whether class is measured by household income, occupational status, or educational attainment. This trend has confronted Democrats with a particularly acute electoral challenge in parts of the country where blue-collar white citizens constitute a majority of the voting population, including much of the Midwest and interior West as well as small towns and rural areas across most of the nation.

This partisan realignment is primarily driven by the rising salience of cultural conflicts, Compared to citizens with socioeconomic advantage, working-class voters are more patriotic, nationalistic, traditionalist, and skeptical of social change; they also consistently hold more conservative preferences on subjects like abortion, LGBT rights, gun control, environmentalism, and immigration. As the public image of the Democratic Party has become more associated with cultural liberalism, it has lost its formerly durable popular reputation as primarily concerned with representing the political interests of the working class.

If winning a greater share of the working-class vote in the future requires the party to become more moderate on cultural issues, liberal Democrats would be forced into an unappetizing choice between ideological purity and electoral success. But if another path exists to reverse the party’s growing unpopularity among this key voting bloc, such a dilemma might be happily avoided. Thus an alternative hypothesis has attracted considerable acceptance among progressive activists and primary voters in recent years: Democrats can appeal to blue-collar Americans by nominating performatively “working-class” candidates who nonetheless champion progressive issue platforms.

This idea has a long history, but its most prominent recent manifestation was the Senate campaign of Pennsylvania lieutenant governor John Fetterman in 2022. Fetterman became nationally famous for dressing casually and speaking plainly, with his tattoos, hooded sweatshirts, and running shorts featuring prominently in press coverage of his candidacy as supposed authentication of his Everyman identity. To some observers, especially supporters on the left, Fetterman’s victory served as proof of concept for the claim that liberalism in a Carhartt wardrobe was a formula for success in a critical battleground state.

Unfortunately. it’s very difficult to analytically isolate Fetterman’s presentation of self from the other factors that might have contributed to his election in 2022; he faced a weak carpetbagging opponent, and Democrats nationwide performed better than the president’s party usually does in a midterm election (probably due to the Supreme Court’s unpopular Dobbs ruling issued that summer). But another test of the theory arrived two years later with Kamala Harris’s selection of Minnesota governor Tim Walz as her vice presidential running mate. Democratic supporters and sympathetic media figures celebrated Walz as a “regular midwestern dad” who wore flannel shirts, went pheasant hunting, and had coached high school football, and was therefore an ideal ambassador to blue-collar and rural voters.

It didn’t work. The Harris-Walz team was the worst performing presidential ticket in rural America in modern history, receiving just 32 percent of the total vote in non-metropolitan counties nationwide. Vice presidential nominees usually don’t matter much to electoral outcomes, and this was likely true in 2024. But it’s fair to say that Walz did not electrify the campaign trail or dominate in his debate against J. D. Vance.

This year, Graham Platner is the leading test case for the dress-down-and-win hypothesis. Platner’s profile as a bearded and tattooed military veteran turned oyster farmer with a sharp-edged speaking style and strongly progressive political views attracted early support from Bernie Sanders and several labor unions. While his actual “blue-collar” credentials are somewhat arguable (he attended two private prep schools and has received regular financial assistance from his attorney father), Platner’s candidacy caught fire among Maine Democrats. He succeeded in driving Maine’s sitting governor Janet Mills from the primary race and now stands as the presumptive opponent to five-term Republican incumbent Susan Collins. But the relative political novice has had some skeletons emerge from his closet since he declared his candidacy; even the tattoos turn out to be a bit of a problem.

While we wait to find out whether Platner’s flaws render him unacceptable to the Maine general electorate, it’s worth considering how much of the strategic argument for candidates like him is founded on assumptions that working-class voters respond very powerfully to superficial signals of “blue collar” identity (like personal appearance or language style), and that nominating candidates with these attributes is a more effective path than ideological repositioning on substantive policy matters to winning elections in competitive constituencies. After all, the most popular politician in our lifetimes among small-town Americans is a super-wealthy business tycoon from New York City who only takes off his neckties when he’s playing golf on the courses that he owns.

A common touch is surely an asset in politics; this is one reason why Elizabeth Warren underperforms other Democratic candidates in Massachusetts elections. But it’s not the only thing that’s important to voters, even those of modest social status. We should be suspicious of the implication that working-class citizens care more about vibes than policy, especially when such suggestions come from well-educated white-collar activists who themselves hold very strong ideological commitments. Whether or not it’s offensive condescension in the guise of sympathy, there’s just not much evidence that it’s true.

One person who has come to agree is John Fetterman himself. Fetterman has continued to insist on maintaining his casual fashion style while serving in the Senate, but he responded to Donald Trump’s 2024 victory in Pennsylvania by starting to break with other Democrats on multiple issues. His constituents have noticed, now perceiving him as significantly more moderate than the rest of his party. This reinvention may doom Fetterman in the 2028 primaries—if he indeed runs for a second term as a Democrat—but it’s a tried-and-true method for winning general elections in a competitive state. Just ask Susan Collins.
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deebee
21 days ago
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America City, America
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How Comedy, Streaming, Gaming, and Live Content Started Overlapping Online

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Entertainment habits have changed dramatically over the past decade. What were once separate forms of media consumption, comedy specials, gaming sessions, livestreams, podcasts, sports broadcasts, and online communities, increasingly overlap within the same digital environments.

Modern audiences rarely focus on only one form of entertainment at a time. Many users now move fluidly between streaming clips, live gaming content, social media interaction, podcasts, and mobile entertainment throughout the day. Smartphones and faster internet infrastructure made this constant accessibility possible, while streaming culture helped normalize entertainment built around immediacy and continuous engagement.

As a result, online entertainment increasingly feels less like isolated activities and more like interconnected digital ecosystems shaped by convenience and interaction.

Streaming Culture Changed Audience Expectations

The rise of livestreaming platforms heavily influenced how people engage with entertainment more broadly. Audiences increasingly prefer experiences that feel active, responsive, and continuously updated rather than passive or heavily delayed.

This shift extends across comedy content, gaming communities, sports coverage, creator platforms, and live online entertainment environments. Real-time chat systems, instant reactions, audience participation, and livestream-style interfaces all contribute to stronger engagement across digital platforms.

Many entertainment businesses adapted quickly to these changing expectations by creating more interactive environments designed around mobile accessibility and continuous participation. Fast-paced content delivery, live notifications, and real-time interaction now shape much of modern entertainment culture.

The growing popularity of livestream comedy clips, reaction videos, creator collaborations, and live gaming streams reflects how audiences increasingly value entertainment that feels spontaneous and socially connected.

Gaming Platforms Became Part of Mainstream Entertainment Culture

Gaming itself also evolved significantly alongside these broader digital trends. What was once considered a niche hobby increasingly became integrated into mainstream entertainment culture through streaming platforms, creator communities, esports events, and interactive social spaces.

Today, gaming environments frequently overlap with comedy, livestreaming, influencer culture, and casual online interaction. Many users no longer separate gaming from the rest of their entertainment routines. Instead, gaming platforms often function as social environments where people watch content, interact with creators, communicate with friends, and engage with multiple forms of entertainment simultaneously.

This shift also influenced online casino and betting platforms that adapted to streaming-era audiences through live dealer systems, real-time gameplay, responsive mobile interfaces, and faster interaction models. Entertainment-focused environments such as betting on Mr Q alongside live roulette tables, blackjack streams, instant-play games, and mobile-friendly access increasingly reflect broader digital trends centered around accessibility and continuous engagement.

Rather than existing separately from mainstream entertainment culture, many gaming environments now operate within the same broader ecosystem as streaming media, creator content, and social interaction.

Comedy Content Adapted to Faster Digital Consumption

Comedy culture changed significantly as online platforms reshaped audience attention spans and viewing habits. Short-form clips, livestream appearances, reaction content, podcasts, and social media snippets increasingly became central parts of modern comedy distribution.

Comedians and entertainment creators now often rely on multiple digital channels simultaneously rather than traditional media formats alone. A stand-up clip might circulate across livestreams, social media platforms, podcasts, gaming streams, and meme pages within hours.

This faster content cycle changed how audiences discover and engage with comedy itself. Many viewers now consume humor in smaller but more frequent sessions integrated into broader online routines alongside gaming, streaming, and mobile entertainment.

At the same time, live interaction became increasingly valuable across entertainment formats. Audiences often prefer creators and platforms that encourage participation and feel more directly connected to viewers in real time.

Mobile Technology Accelerated Entertainment Overlap

The rapid expansion of smartphone usage played a major role in blending entertainment categories together. Consumers increasingly access entertainment throughout the day in shorter sessions rather than planning activities around fixed schedules or dedicated devices.

Streaming content, gaming apps, social media feeds, sports highlights, comedy clips, and livestreams now all compete within the same mobile ecosystems for user attention. This environment naturally encouraged platforms to become faster, more interactive, and easier to access.

Entertainment companies increasingly optimize around mobile-first behavior by simplifying interfaces, improving loading speeds, and prioritizing responsive design. Convenience now influences engagement nearly as much as the content itself.

Because audiences move quickly between different entertainment formats, businesses capable of maintaining smooth and immediate experiences often perform better in highly competitive digital markets.

Real-Time Interaction Continues Expanding Across Entertainment

Modern entertainment increasingly revolves around immediacy. Audiences often expect content to feel live, reactive, and continuously active rather than static or disconnected.

This trend can be seen across livestream comedy events, gaming broadcasts, sports commentary, creator communities, and interactive entertainment platforms. Real-time participation systems help create stronger engagement by making users feel directly involved rather than simply observing content passively.

Research and reporting published by The Verge continue highlighting how mobile technology, streaming infrastructure, and interactive digital culture are reshaping online entertainment habits across multiple industries.

Improvements in internet infrastructure and cloud-based systems also made these interactive environments significantly more accessible across smartphones and tablets over recent years.

Entertainment Culture Will Likely Continue Blending Together

The future of online entertainment will likely involve even greater overlap between comedy, gaming, livestreaming, creator culture, and interactive digital experiences. Artificial intelligence, cloud infrastructure, and faster mobile connectivity are expected to continue accelerating these trends.

However, the main drivers behind this shift remain relatively straightforward. Consumers increasingly prefer entertainment that feels flexible, social, and easy to access from virtually anywhere.

As digital habits continue evolving, entertainment formats that once existed separately will likely become even more interconnected through streaming culture, mobile accessibility, and real-time interaction.

 

The post How Comedy, Streaming, Gaming, and Live Content Started Overlapping Online appeared first on The Interrobang.

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deebee
40 days ago
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Jfc
America City, America
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The 1922 West Side Meeting House - 550 Cathedral Parkway

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photo by the author

After having moved several times since 1886, the Unity Congregational Society of New York purchased the five plots at 244-252 Cathedral Parkway (West 110th Street) between Amsterdam Avenue and Broadway in 1921.  The firm of Hoppin & Koen was commissioned to design a church-and-community-house on the site.  Associate architect A. D. R. Sullivant was given the project.  His grand, initial design included a cupola reminiscent of Independence Hall in Philadelphia.

Sulllivant's 1921 rendering was more than twice the width of the subsequent building.  The Christian Register, June 16, 1921 (copyright expired)

But before ground was broken on June 2, 1921, the plans were grossly reduced.  Completed in 1922, Sullivant's dignified three-story, neo-Georgian-style edifice engulfed only two of the plots.  Above a limestone base, the upper floors were clad in red brick.  A centered, temple-like composition of double-height stone pilasters upholding a triangular pediment distinguished the upper sections.  (Sullivant's subdued Colonial design would reappear in a much more exuberant form in Thompson, Holmes & Converse's 1929 Tammany Hall on Union Square.)

On June 16, 1921, The Christian Register explained that the building would be called the West Side Meeting House for two reasons:

First, the name is in accord with the Pilgrim Congregational tradition of Unitarianism; second, it is planned to keep the building open throughout the week for any activity that tends to improve the personality of man, woman, or child.  Religion embraces not only the worship of God, but also the service of man.

To address the second reason, said the article, "religious, civic, educational, dramatic, literary, musical, recreational, and social gatherings will be held under church auspices and the building will therefore be a meeting-house--a house of meeting--for all who are seeking to build their own characters and to improve the neighborhood and the city."

The West Side Meeting House was completed in 1922.  In the basement was an auditorium-theater.  It was available for civic meetings and would become the home of the church's own theatrical troupe.

from Little Theatres, December 1923 (copyright expired)

Many mainstream Christians viewed Unitarianism sideways.  Its liberal doctrine included the belief in one God while denying the Trinity.  Its focus was on reason and tolerance over restricting creeds.  

Having a theater within the building offended many Christians, who still considered plays sinful.  Rev. Charles Francis Potter had to defend the theater in general.  In his sermon on April 22, 1923, he insisted, "There is more obscenity in the Bible than in any current New York play."

Born in 1885, Potter had degrees from Bucknell University, Brown University and Newton Theological Institution.  By the time the West Side Meeting House opened, science was making discoveries that fundamentalist preachers deemed heretical.  The well-educated and Modernist pastor Charles Potter went on the offensive.

Rev. Charles Francis Potter, Dictionary of Unitarian & Universalist Biography

On March 8, 1924, The Universalist Leader said he had initiated a Modernist Bible class, "whose teaching will be broadcast through the United States by radio at 8 p.m. every Sunday."  The article said it, "is intended to offset the attacks of the Fundamentalists, who have succeeded in excluding the teaching of science and evolution in regard to religion."  Potter told the reporter, "A faith that is disturbed by learning the facts of science is no real faith; it is largely prejudice and superstition."

The following year, Rev. Potter traveled to Dayton, Tennessee to advise Clarence Darrow in the famous Scopes Trial.  Potter was open about his disdain of the Fundamentalist Christians who had initiated the suit.  He scoffed that the "Holy Rollers" might introduced "a bill prohibiting the teaching of geography in public schools because the Bible indicates that the earth is flat."

Potter was replaced by the erudite Rev. Arthur Wakefield Slaten.  He received his Ph.D. from the University of Chicago in 1916 with a thesis titled, "The Qualitive Use of Nouns in the Pauline Epistles, and Their Translation in the Revised Version."

In reporting on his first sermon, on October 19, 1925 The New York Times said, "Dr. Slaten is an advocate of Humanism, noting, "He was dismissed as professor of Biblical literature and Biblical education by [Rochester Theological Seminary] for heresy, based upon his book, 'What Jesus Taught.'"

Barnard Bulletin, November 13, 1925 (copyright expired)

The year before Rev. Slaten's appointment, the Meeting House Theater troupe was organized.  On October 16, 1926, The Billboard noted that it "has become favorably known for its good work during the last two seasons.  It has won twice successively the cup offered at the little theater tournament of the Metropolitan Federation."  The Meeting house Theater premiered Edna Ferber's $1,200 a Year on October 28 that year.

Like his predecessor, Slaten found himself defending the theater.  The following month, on November 28, he declared in his sermon, "a play is morally bad only when it represents life falsely."  Saying that plays were "valuable contributions to the study of human nature," he insisted, "In no one of these plays is vice made attractive, nor are the facts of life falsely presented."

Slaten continued to raise eyebrows among mainstream Christians.  In his sermon on January 2, 1927, he described the book of Genesis, "One of the folk-lore classics of the world's literature."

Rev. Slaten resigned in January 1929 "because of illness," according to his resignation letter.  Guest preachers took the pulpit of the West Side Unitarian Church for an extended period.

Two years later, the congregation merged with the Community Church and moved into its facility on Park Avenue and 34th Street.  In the meantime, the auditorium, known as the Community Church Centre, continued to be the scene of lectures and meetings.  On the evening of February 3, 1933, Dr. Gustav F. Beck addressed an audience of about 100 on the topic "A Philosopher's View of Immortality."  In discussing whether there was an afterlife, Beck said it "was a mystery which could not be proved of disproved."  The New York Times reported, "Several persons in the audience arose to give their views."

One man, who was around 55 years old, "jumped to his feet and, speaking with a foreign accent, started a fervent comparison of Oriental and Western philosophy," said the article.  The impassioned man contended, "When you are dead, you are dead.  If these were my last words, I would still maintain it."  Ironically, a few seconds later he grasped his chest and fell dead, apparently from a heart attack.

Frank Wilson headed the cast Black, which opened here on May 15, 1934.  His career had skyrocketed after starting out in vaudeville.  He was in the 1925 Broadway revival of The Emperor Jones, and was part of the original 1927 cast of Porgy.  Two years prior to his performance here, he made his film debut in The Girl from Chicago.

image via the NYC Dept of Records & Information Services

The building was leased to Congregation Ramath Orah, a Modern Orthodox congregation.  It was founded in 1942 by Dr. Robert Serebrenick, who had been Grand Rabbi of Luxembourg from 1929 to 1940.  He had assisted approximately 250 Jews in escaping Luxembourg following the Nazi invasion in 1940.

A troubling incident here in 1944 was made even more so given Rabbi Serebrenick's background.  On April 12, The New York Times reported, "A swastika was found crudely painted on a wall outside the Congregation Ramath Orah at 550 West 110th Street yesterday morning."  The hateful graffiti was discovered by two police officers passing by in a patrol car.  The cops not only reported on the vandalism, but "then helped remove the marking with turpentine and a steel brush," said the article.  Rabbi Serebrenik was surprisingly charitable, saying he presumed "that children probably drew the symbol."

The following year, the congregation purchased the building.  The dedication ceremony was held on February 11, 1945.  Among the speakers was Edgar L. Nathan, the Manhattan Borough President.

Rabbi Robert Serebrenik died of a heart attack at the age of 62 on February 11, 1965.  In reporting his death, The New York Times recalled, "After the Nazis occupied [Luxembourg], he stayed on until 1941, when he was seized by the Gestapo and beaten unconscious.  After that attack he escaped by way of Lisbon and came to this country."

photograph by Beyond My Ken

Congregation Ramath Orah continues to occupy the building.  Other than the stained-glass windows added in 1955, it survives essentially unchanged after nearly a century.
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deebee
54 days ago
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I see this building all the time and always wondered why they built the synagogue to look like the stonecutters hall. Well done tom
America City, America
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